{"id":7350,"date":"2016-05-12T22:21:27","date_gmt":"2016-05-12T21:21:27","guid":{"rendered":"https:\/\/www.apprendre-le-violon-jazz.com\/exercise-play-the-chord-tones-video-5-6-studying-the-standard-i-cant-give-you-anything-but-love\/"},"modified":"2023-03-13T01:23:01","modified_gmt":"2023-03-13T00:23:01","slug":"exercise-play-the-chord-tones-video-5-6-studying-the-standard-i-cant-give-you-anything-but-love","status":"publish","type":"post","link":"https:\/\/www.apprendre-le-violon-jazz.com\/en\/exercise-play-the-chord-tones-video-5-6-studying-the-standard-i-cant-give-you-anything-but-love\/","title":{"rendered":"EXERCISE: PLAY THE CHORD TONES &#8211; Video 5\/6 Studying the standard &#8220;I can&#8217;t give you anything but love&#8221;"},"content":{"rendered":"<p>Here is the new video of the week with an exercise that completely illustrates my <a href=\"http:\/\/www.apprendre-le-violon-jazz.com\/comment-aborder-une-grille-daccords\/\"> article &#8220;HOW TO APPROACH A CHORD CHART&#8221;. <\/a><\/p>\n<p>I therefore invite you to read it again and <strong>work on the arpeggios<\/strong> with, for example, &#8220;I can&#8217;t give you anything but love&#8221;, as I do in this video. It is obvious that these exercises apply to <strong>the study of any standard<\/strong>! So if you are working on another piece, you can apply the exact same principle in your study of this theme!<\/p>\n<p>Work on the <a href=\"http:\/\/www.apprendre-le-violon-jazz.com\/comment-aborder-une-grille-daccords\/\">the 4-step procedure in the article<\/a>, which will allow you to go further towards this objective: <strong>be able to play the arpeggios on each chord, and in all directions. <br \/><\/strong><\/p>\n<p>Later in this article, I will explain in a little more detail <strong>how to play arpeggios in all directions in 2 steps, <\/strong>as well as<strong> 3 good reasons to study these arpeggios, <\/strong>in case you get discouraged! Only after you have worked out the procedure for the other article, look at this one, in order to go a little further!<\/p>\n<p>Here is a video of an arpeggio exercise:<\/p>\n<p>&nbsp;<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class=\"youtube-player\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/whrPaGkhhMA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<h2 style=\"text-align: left;\">2 steps to be able to play the arpeggios in all directions<\/h2>\n<p>&nbsp;<\/p>\n<ul>\n<li>\n<p>practice <strong>playing arpeggios up and down<\/strong>,<\/p>\n<\/li>\n<li>\n<p><strong>start the arpeggio with the third, the fifth or the seventh<\/strong><\/p>\n<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<p>For example, on &#8220;I can&#8217;t give you.&#8221; on the first chord GMaj7, you can play the rising arpeggio, then on the second Bm7, the descending arpeggio, go up on the 3rd chord B\u00b0, etc.<\/p >\n<p>This means that you don&#8217;t always have to start with the fundamental, and that you have to <strong>know all the arpeggios going up, down, and starting from any note!<\/strong> It&#8217;s is why you have to work on the arpeggios starting from the fundamental, then <strong>from the third, the fifth, the seventh&#8230;<\/strong><\/p>\n<h2>\u00a0<\/h2>\n<h2>3 good reasons to do this arpeggio work:<\/h2>\n<ul>\n<li><strong>Play the notes that appear in the chords<\/strong>: since the arpeggios are the same notes as those of the chord, we are sure not to make a mistake and we do not make a &#8220;wrong note&#8221;!<\/li>\n<li><strong>Hearing the chart<\/strong>: by knowing the arpeggios, we learn the chord progression by ear as we would memorize a melody. As a result, we are much more comfortable improvising on it!<\/li>\n<li><strong>Creating muscle memory in the fingers<\/strong>: indeed most jazz phrases are made from arpeggios and scales<\/li>\n<\/ul>\n<p>These arpeggio exercises may seem a bit tedious and demanding, but their usefulness for <strong>language development<\/strong> is invaluable. Listen to improvisations by your favorite soloists, and try to <strong>analyze the content of their solos<\/strong>. You will most likely hear scales, phrases typical of jazz or gypsy jazz depending on the style, and above all, <strong>lots of arpeggios<\/strong>!!<\/p>\n<p>Small parenthesis: you can even <strong>pick up the choruses and write them down<\/strong> if that helps you analyze the phrases: indeed, if <strong>to integrate the phrases into the improvised playing<\/strong> it seems to me more useful to <strong>pick up a solo by ear<\/strong> as I explain in my <a href=\"http:\/\/www.apprendre-le-violon-jazz.com\/releve-de-solo-en-5-questions-reponses\/\">article on the subject in the form of a Q&#038;A.<\/a> For <strong>the analysis of jazz licks and to understand what is happening in the solo<\/strong> it is very useful to have the score to <strong>visualize the chorus as a whole<\/strong> and to see the <strong>details of its content.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>If you liked this article, do not hesitate to share it on social networks!!<\/p>\n<p>&nbsp;<\/p>\n<p>Below, I have created a summary sheet of this article! I also added a new summary sheet on the page of the other article<a href=\"http:\/\/www.apprendre-le-violon-jazz.com\/comment-aborder-une-grille-daccords\/\"> HOW TO APPROACH A JAZZ CHART.<\/a><\/p>\n<p>These two sheets are complementary, as are the two articles! Here is the summary of it to download:<\/p>\n<p>[sdfile url=&#8221;http:\/\/www.apprendre-le-violon-jazz.com\/wp-content\/uploads\/2016\/05\/resume-article-56-i-cant-give-you.pdf&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here is the new video of the week with an exercise that completely illustrates my article &#8220;HOW TO APPROACH A CHORD CHART&#8221;. I therefore invite you to read it again and work on the arpeggios with, for example, &#8220;I can&#8217;t give you anything but love&#8221;, as I do in this video. It is obvious that [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5271,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[15],"tags":[],"class_list":["post-7350","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>EXERCISE: PLAY THE CHORD TONES - Video 5\/6 Studying the standard &quot;I can&#039;t give you anything but love&quot; 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